Learning Strategies in Play during Basic Training for
Medal of Honor and Call of Duty Video Games



This study, based on experiential play methodology was used to explore student engagement while playing Medal of Honor (2002) and Call of Duty (2003). It identifies some of the key issues related to the use of video games and simulations during the training phase of game play. Research into the effects of gaming in education has been extremely widely varied and limited in terms of the methodological rigor incorporated. An Experiential Mode Framework (EMF), a newly designed micro-analysis methodology of student engagement during game play (Appelman 2005 & 2007b), was used for data collection and analysis. This study sought to determine if there is a consistent pattern between the manner in which a Novice and Expert player engage with a particular game. This was accomplished through observation at a micro level while players learned, strategized, and performed as they entered into new gaming environments.  The results of this study are limited.  However, the data analysis conducted here demonstrates the player’s ability to problem solve through difficult obstacles using navigational strategies in virtual spaces. It also reveals distinct player abilities to manipulate alternatives or information within the game. Medal of Honor and Call of Duty training components provided explicit instructions needed to play the game. Although results were skewed by time constraints and convenient sampling, it was found that while the game instructions were redundant, some players did not necessarily attend to spoken or written instructions which were critical components of the training session and often crucial for successful completion of milestones (objectives). This book is available at Barnes & Noble.




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Medal of Honor PDF Print E-mail
Written by Yadi Ziaeehezarjeribi   
Friday, 11 February 2011

Medal of Honor Video Games (First Person Shooter)

Medal of Honor (MOH). First-person shooter video game published by Activision in 2008. The  

game simulates the infantry and warfare of World War II. Players become part of an allied assault in

defense against the Nazi invasion of Europe. The training session of the game simulates basic military

training to include navigating obstacles and using weapons. Players must learn to use controls to climb,

run, throw hand grenades, as well as change and reload weapons.  

Video game. Early video games were simply intended to be used as a leisure activity. In order

to attract and sell, many video games began to incorporate components of simulations in order to allow

players to become more fully immersed in play. Games involve increasing amount of challenge, “for avid

gamers, having to pit their skills against one or a hoard of virtual enemies is fun”

(DeMaria, 2007, p. 27). According to Appelman (2005) the six characteristics that are present

 in games are:

·         Challenges (goals and task)

·         Rules (that govern how the game works)

·         Interaction (by the user with aspects of the game)

·         Contrivance (modifying realism to benefit game play)

·         Obstacles (elements of the game encountered)

·         Closure (an end to the game) (p. 2)


Last Updated ( Saturday, 03 March 2012 )
Call of Duty PDF Print E-mail
Written by Yadi Zziaeehezarjeribi   
Saturday, 15 January 2011

Call of Duty Video Games (First Person Shooter)

Call of Duty (COD). Video game intended and rated for children ages thirteen and older.  According to Activision (2003), “Through the lens of a first person video game, players experience “epic” World War II European front battles as members of the United States military.  This video game has high quality cinema, authentic weaponry, with twenty four missions and four allied campaigns. Only the training portion of the game was used for this research. Avatar. This embodied identity or “in game character” allows players to experience a virtual environment through a first person perspective enhancing the experience. In many games players have the option of modifying the player characteristics which may change the outcome of the game. In Medal of Honor and Call of Duty, the Avatars have the ability to change and use weaponry, move through scenes, with a limited amount of movements and actions such as walking, climbing, crawling, throwing, and shooting. For instance, one of the “actions” needed to complete the training session was to set a timed explosive.


Last Updated ( Saturday, 03 March 2012 )
Commercial Games as an Educational Tool for Teaching and Learning PDF Print E-mail
Written by Yadi Ziaee   
Saturday, 06 October 2007


The gaming industry has become a multi-billion dollar endeavor for both entertainment and education. Considering this rapid technological advancement, it is inevitable that technological evolution will occur within educational environments and society as a whole (Aldrich, 2005). This evolution of technology holds implications for teaching and learning, training and development by increasing productivity and the delivery of multiple learning situations.   The game itself may not provide all the solutions in the learning process, however, technology has become a tool to enhance and develop students’ ability to interact cooperatively, improve analytical skills, and provide solutions to problems at hand. With the increasing need to transfer performance on simple game design to future occupational skills, educators and the gaming industry have shifted their focus to more interactive and multimodal delivery solutions. In this light, scholars are attempting to design and conduct research employing rigorous methodologies that show the effects gaming and simulations have on learning. In this paper examples of the “successful” use of gaming and/or simulation in the K-12 setting will be explored.  

Game and Simulations

To better understand the manner in which games and simulations can overcome the negative stereotype as leisure activity; the education community will need to expand our understanding of the multimodality of learning. Gee (2003) and Kress (2003) explain that meaning and knowledge are constructed through multiple avenues such as images, text, symbols, interaction, abstract design, and sound. As such, a new type of “subject/player” is emerging who takes gaming seriously, willing to invest extensive hours toward leisure activities. Schleiner (2001) points out that “within techno-culture and disseminating out across class, ethnic and geographical barriers, younger generations into their late 20s, are devoting increasing amounts of recreation time to addictive computer games” (p 221).

Additionally, frequent gaming is said to help users adjust to a computer-oriented society (Greenfield et al., 1994).  In action and adventure computer games, images tend to be more important than words; this shifts the development of representational skills from the verbal to iconic, with players visually manipulating images on a computer screen. In these ways players develop the spatial awareness and the cognitive skills that are so crucial to many computer applications. For some, they foster strategic thinking, multitasking, and social competence, valued skills in the workforce. A new type of “student” expects dynamic learning environments. Learners growing up in the digital age are far more experienced and able at processing information rapidly than were their predecessors and may become bored if they are expected to remain sedentary at school (Mumtaz, 2001; Prensky, 2001). On the other hand, simulations have elements which allow the learner to make costly mistakes without serious repercussions.

According to Appelman and Wilson (2005), simulations have more relationship to real world situations with “levels of fidelity” that provide the learner with challenges, manipulation, authenticity, consequences, control and modeling. Along with modeling, Gee (2003) points out the potential for learners to be mentored into a new affinity group through interaction and practice. With the potential for power and control, that games provide, children have the ability to positively reinforce learning. Games can provide reinforcement along with modeling, which can become one of the keys to learning in education, bringing students and teachers one step closer to additional pedagogical options. In some cases, integration of games and simulations into the classroom has been met with resistance for many reasons. Some parents, teachers, and communities of practice see them as simply entertainment or a source of increased violence in some players.  At the very least, games and simulations must be as successful as traditional classroom activities. We must keep in mind that not all games are suited for the classroom (Aldrich, 2005). Yet, educators should be open minded and understand that there are elements of educational games which can be carefully embedded in classroom curriculum. As such, I will discuss five studies which have endeavored to measure the effects of gaming or simulations in K-12 settings.


Aldrich, C. (2005). Learning by doing: A comprehensive guide to simulations, computer games, and pedagogy in e-learning and other educational experiences. San Francisco, CA: Pfeiffer.

Appelman, R., & Wilson, J. (2005). Games and simulations for training: From group activities to reality. In J. Pershing (Ed.), Handbook of human performance technology. San Francisco: Pfeiffer.

Gee, J. (2003). What video games have to teach us about leaning and literacy. New York, NY: Palgrave MacMillian.

Greenfield, P., Camaioni, L., Ercolani, P., Weiss, L., Lauber, B., & Perucchini, P. (1994). Cognitive socialization by computer games in two cultures: Inductive discovery or mastery of an iconic code? Journal of Applied Developmental Psychology, 15(1), 59-85.

Kress, G. (2003). Literacy in the New Media Age. London: Routledge.

Mumtaz, S. (2001). Children's enjoyment and perception of computer use in the home and the schools. Computers and Education, 36(4), 347-362.Prensky, M. (2001). Digital game based learning. New York, NY: McGraw-Hill.

Schleiner, A.-M. (2001). Does Lara Croft wear fake polygons? Gender and gender-role subversion in computer adventure games. Leonardo, 34(3), 221-226.  

© 2008 Digital Voodoo 

Last Updated ( Sunday, 10 February 2008 )
Implications for Future Computer Gaming Technology in K-12 PDF Print E-mail
Written by Yadi Ziaee   
Thursday, 21 June 2007

Implications for Future Computer Gaming Technology in K-12

 Educational institutions (Clift, Mulle et al. 2001), with support from the corporate and private sector, have invested billions of dollars to establish technological foundations for future development and its use by a broader audience. At the same time, computer technology is becoming pervasive, precipitating a constant need for improvement through upgrades or replacement of existing equipment in order to compete or stay current with digital information. Many public schools have found themselves investing a substantial amount of their budget into both maintaining and staying current with rapidly advancing methods of instruction.

According to NCES (1999), “In both public and private schools with Internet access, teachers were more likely to have access to e-mail, news groups, resource location services, and the World Wide Web than were students in these schools (p. 46).”  With many new available forms of instructional technology, greater diversity in teaching methods and style will materialize. Bimber, Almeroth et al. (2002) contend that no matter what kind of technology will be available, some teachers will use more sophisticated technology than others; some may not use it at all and prefer the old blackboard or overhead. Professionals in our field should see the potential in all available technology, not just the latest hardware and software. Careful examination of the instruction that needs to be delivered can help schools maximize the potential of the equipment they have available.  

 With the increased emphasis on collaboration and educational equity, the curriculum calls for more computers, faster connections, more software, and new tools to engage students into diverse learning environments. Today’s teachers have to meet many individual learning needs, and it is our field’s responsibility to help them do so. These changes in the typical school environment are happening in many distinct ways: (a) transitioning from paper and pencil classrooms to computer supported environments which provide students with more activities, (b) replacement of bulky transparencies or overhead projectors for computer screens that allow the potential for seamless modification of instruction, (c) decreased dependence on teacher for access to information, (d) access to asynchronous and synchronous discussions that afford students an alternative to in-class instruction where they can share ideas or dialogue with communities who share their particular interests, and (e) ready access to home-schooling resources.

The application of technology in K-16 is a prelude for students to a more sophisticated instructional infusion of technology as students enter colleges and universities. With the addition of technology standards at the federal and state level (NETS 2005) schools find it crucial to prepare students at the elementary level to complete complex projects. In an effort to support schools, the Massachusetts Institute of Technology (MIT) created a website called Cyber Tutor whose mission is to provide students with assistance for their math and physics homework. According to Newman and Scurry (2001), Cyber Tutor provides students with immediate, and detailed analysis of their performance.  The interactive website supplies students with necessary hints where most needed. While at the same time professors have access to the student’s profile, and can compare it with the rest of the class in order to provide one-on-one counseling or adjust the lecture based on student needs. As innovative as this technology might seem from the present perspective, many schools have already implemented some sort of internet capacities and applications. In short, the use of the internet for student support is feasible both technologically and pedagogically.  

           Corporate training and development

The globalization of the economy has brought major changes to business organizations. According to research on e-learning in the corporate sector (Gunasekaran, McNeil et al. 2002), the  “US Department of Labor estimates that corporate e-learning revenues are expected to increase from $550 million to $11.4 billion, an 83% compound annual growth rate between 1998 and 2003. (p. 44)” Business organizations like educational institutions world wide continue to experiment with changing learner expectations stimulated by technological innovation and increased possibilities for individualized learning. With the advent of the internet as a viable source of learning, and self-paced instruction, there is a greater opportunity for both business organizations to provide learners with more and flexible alternatives. Many institutions continue to converge traditional educational models by using innovative technology to deliver instruction. According to Bichelmeyer and Molenda (2006), the corporate spending for training declined for businesses from 2004 to 2005, possibly due in part to an increase in the use of Web-based or DVD-based delivery.  

This form of communication can be in a form of simulations and games, online multiplayer, digital satellite radio, pod casting, and internet blogs, which influence our communications and activities to the point where anything is possible. In a similar effort of instructional delivery, web-based music distribution provided Napster® with a large number of loyal users.  Several businesses took advantage of this model to develop other resources such Apple iTunes to legally sell music to a large number of customers world wide. The failure of one organization allowed another to improve their business model approach, and find alternative and an innovative means of promoting their products. Considering the basic principle of Napster®, web retrieval of information can be used for self directed navigation in a well designed learning environment which provides a learner with the ability to construct the resources for their individual needs.




Bichelmeyer, B. and M. Molenda (2006). Issues and Trends in Instructional Technology: Gradual Growth atop Tectonic Shifts. Bloomington: 1-62.

Bimber, B., K. Almeroth, et al. (2002). "The Future of Technology and the University." CITS White Paper.

Clift, R., L. Mulle, et al. (2001). "Technologies in contexts: Implications for teacher education." Teaching and Teacher Education 17: 33-50.

Gunasekaran, A., R. McNeil, et al. (2002). "e-Learning: Research and applications " Industrial and Commercial Training 34(2): 44-52.

NCES (1999). Internet access in public schools and classrooms: 1994-1998. N. C. f. E. Statistics. Washington, D.C., U.S Department of Education, Office of Educational Research and Improvement.

NETS (2005). Technology Foundation Standards for All Students, National Educational Technology Standards for Students.

 Newman, F. and J. Scurry (2001). "Online Technology Pushes Pedagogy to the Forefront." The Chronicle of Higher Education: B7.


© 2008 Digital Voodoo

Last Updated ( Sunday, 10 February 2008 )
Experiential Modes of Game Play PDF Print E-mail
Written by Dr. Bob Appelman   
Saturday, 16 June 2007

Experiential Modes of Game Play

By: Dr. Bob Appelman


Paper presented at the Digital Games Research

Assoc. (DiGRA) Conference, Tokyo Japan




Last Updated ( Thursday, 14 February 2008 )
Serious Game Design: Balancing Cognitive and Affective Engagement PDF Print E-mail
Written by Dr. Bob Appelman   
Thursday, 15 March 2007

Serious Game Design:
Balancing Cognitive and Affective Engagement

Robert L. Appelman, PhD
Indiana University – Instructional Systems Technology


A Brief History

The relatively new focus on serious games is relatively old.  By this I mean that we have been working with student engagement through a variety of mediums since the early 1930’s and games have been considered a viable option from the beginning.

John Dewey looked at the current “industrialization” of education methodology in the 30’s and realized that, just as we are driven now by NCLB minimum level standardization of education, the focused engagement of the student and integration of art forms into the curriculum was producing students who were less critical thinkers, and were also less “expressive” as students who previously had been exposed to a broader range of studies in the humanities. He then proposed an increase in broader experiential education that included much more interaction with the current environment for learning.  This experiential education was defined at the time in much the same way as we now justify the need for our students to be immersed in the experience of games.

Edgar Dale begin recognizing board games, and role playing games as critical opportunities for engaging learning environments in the 40’s and this approach has been current in Instructional Systems Literature ever since. Abt, Greenblat & Duke, Crawford, and Thatcher began a line of critical analysis of games from informal to formal games that began the first directly targeted literature on Serious Games. They also became some of the first to address the current issues of the differences between fun and learning, which is a topic still unclear in the literature today.

Csikszentmihalyi entered the fray when he posited the experiential introspective analysis of flow.  With this definition now on the table, game critics, developers, and players then had their goal to achieve, which was the total immersion into a game.  Developers wanted to now create games that elicited such immersion as, and just as an addicted person wants a fix, the search for a game experience where one could enter “flow”, was begun. The confusion in a serious game is whether or not this flow is synonymous with engagement in learning or just deep concentration on game play and fun.

With the advent of video games in the late 70’s that offered immersive functionality, there became more of a focus on how an educator could utilized this new medium format for the purposes of educating students both in the public and private sectors. Petranek, Thiagarijan, and Savery and Duffy began tying a variety of epistemologies to engaging problem-based scenarios.  These scenarios were defined along a wide continuum of face to face small group activities and extended into deep experiential learning environments.  This new focus of teaching methodology allowed for the use of games as a viable path to provide the experiences that could possibly satisfy the requirements for high functionality and manipulation of the critical variables for learning, as well as being based on challenges presented to the learner.  Even with these extensive efforts, to date there are very few examples that demonstrate the level of control in methodology that is comparable to the levels achievable by a live instructor in a face to face context.

Appelman and Goldsworthy, Salen & Zimmerman, and Wilson have all contributed to “calling the question” on the serious game effort to establish norms and procedures that seek to create methodologies assisting in the development of serious games. Because of the complex variables and intensely deep and complex technical decisions necessary in this medium, there is a desperate need to blend the efforts of the instructional designer and the artistic game developer.  The goal of bringing these two expertise together is directed towards a goal of games that are equally strong in game play as they are in manipulation of learning variables within the game. This effort is often compared to mixing oil and vinegar, but there are enough examples of collaborations that have moved along the path of creating serious games that the latter metaphor can be viewed as a possibility, but not a necessity. Appelman points out that engagement of the player is the common point of crossover in goals for both the game developer and the instructional designer. With engagement as the focus, the need is more on the definition of engagement from both perspectives  

A Focus on Engagement with the Environment

The definition of engagement must have elements of a learner/player experience as variables to manipulate, and these would most necessarily come from cognitive, perceptive, haptic, kenetic, and the affective domains of human experience.  Also necessary are standard identifications of the physical and virtual elements that the learner/player is encountering at any given moment that they can be said to be experiencing. At its most basic level, Appelman compares levels of human sensory perception against degrees of virtuality, thus allowing the comparison of current common genres of real and virtual environments (Fig. 1).  Such a comparison allows for any learning environment from classroom instruction that is normally limited to audio and visual perception of real elements and minimum virtuality of images and video, to  experiences involving full sensory immersion such as flight simulators and theme park rides such as Spiderman at Universal Studios.  For Star Trek fans, the Holodeck is the obvious ideal virtual environment for learning, where the AI has ultimate control of what is available to perceive at a maximum level.

                                                                                  Figure 1




Also indicated on this representation of Experiential Modes is a boundary placed around the most common learning environments used today.  These all can be described in the bottom left of the figure since there is normally mostly audio presentation with minimal visual support in teaching practice today.  This conclusion is presented not so much as a complaint, but as an acknowledgement that if we have been able to achieve the levels of learning just using these minimal tools, it is unimaginable what the potential for learning would be if we utilized the full spectrum of game and simulation tools as well. The virtual environments of serious games to date are largely ether representations of concrete board games, or visual imagery that have limited functionality.  The interface functionality of most “learning games” designed for youth is normally executed by clicking key elements for identification of what they are, or to click on an object to actuate a wide variety of animations.  Adding “Drag-and-drop” interfaces as well as some 3D VR perspective tools are gradually appearing on the scene, but these interfaces normally are coupled to minimal content manipulation, such as selecting a number or just “looking around” an environment (Madeline, Oz, Albert, Carmen San Diago).  One needs to see corporate and military training tools that are now being produced in fully robust game engines that allow the user a multiplicity of functionality to both fully experience their virtual environment and also to interact with it in a more realistic manner (Virtual Heroes: America’s Army, Adaptive Leadership Training).

Serious Games require Serious Learners

It has been said by many that once instruction is placed into a game it no longer becomes fun to play. Although I take issue with this statement as being a factual one, I do recognize that our history of creating immersive games that can produce purposeful learning are notably boring. I also have seen the same content presented in a lecture mode in both engaging and boring fashion, so the art of designing engaging games that produce purposeful learning perhaps have not been made yet. Also, note that I did not say “fun” but as mentioned above, the focus needs to be on engagement with the serious game and not just how fun it is to play.  A metaphor that illustrates this difference resides in the differences in expectation and focus of a student while on the playground at recess, or in the classroom of a learning context.  If one were to stop a child from swinging on a playground swing and suggest that they could learn a great deal of physics and math by calculating how their swinging motion represents a pendulum scribing an arc of a circle, they would laugh at the suggestion that it was even appropriate to consider working at thinking in such a context. However if I were to construct a pendulum from the ceiling in a science lab and let them swing it for the purposes of understanding pendulum motion and the calculations involved for predicting its outcome, it would not only be accepted, but students might even comment that this class session was certainly engaging, and maybe even fun. This metaphor suggests that not only must the serious game be constructed differently and based on learning outcomes, but that the learners themselves must approach the game with an intent to learn in a hopefully engaging manner.  Serious games will, by nature, have a higher content density along with a requirement that the content itself must be more authentic. Such demands limit any game or simulation’s use such that it only is engaging when both the appropriate context and user’s learning needs match. Such limitations severely limit marketing demands, and thus can not be the model that drives the design and creation of a serious game.

  No Engagement – No Learning 

I believe that it is not a stretch to say that if there is no engagement, then there will be no learning outcomes as well.  The same could be said for having fun in a game as well, but if fun is the only goal, it is possible to have less deep engagement with the content, and enjoy mostly the interface manipulations.  For instance, it is fun to just follow a good player in “observer mode” in Call of Duty without the added goal of understanding the strategy that that “good player” is using. The latter takes considerable more cognitive effort and even trial and error practice in an actual “play mode” to fully learn these strategies, but from a game play observation status it is difficult to tell how the player is processing the experience. This is why research into Game Play Analysis must include not only quantitative observation measures, but also qualitative reflections from the players themselves.

  Toward a Definition of a Serious Game 

There are three elements that must be in place for a serious game to be effective and even be able to be called a serious game. These critical elements are Serious Content, Serious Outcomes, and Serious Players, and can be outlined as follows: 

Serious Content:

1.     The content density may exist either inside or outside of the game

2.     There will be more content in a serious game than in a game designed just for play

3.     Manipulation of content within the game is critical and a central focus for learning

4.     In the case of a Simulation the reflection on decisions made within the sim are the key focus of   the learning

5.     Authenticity of TARGET content within the game will have real-world application, and/or will be true to real-world action 

Serious Outcomes:

1.     In a Serious Game there is an  expectation that people will be different after the game play       experience

2.     This difference will be manifested as having new/different concepts, understandings, skills, attitudes, and/or beliefs

Serious Players:

1.     The context for why the player is playing the game or sim is motivated by curiosity, a desire to understand, and/or a desire to learn and acquire new skills.

2.     The player entry level with the content and target skill acquisition must be quantified to assure appropriate match with the specific learning goals of the game/sim

3.     Pre-game player motivation to achieve personal, social, contextual, and entertainment goals must match the learning environment’s ability to meet these goals.

Both the professional game designer and the professional educator can predict outcomes of the engagement with the environments they create.  In the case of the game designer, a specific level of fun and engagement is not only necessary for their game, it is essential to their livelihood that it be that way in order to sell, thus recovering the costs of development. In the case of the educator, the use of a game as an intervention for training or classroom contexts that is to bring a student to a specific level of learning should also be predictable, and is critical not only to the educator, but most often to the student.  

Introducing Message Design into Serious Game Design

At the heart of the play/learning debate is achieving the appropriate balance between the affective and content components of the game. Appelman posits that to adequately manage this balance, one must quantify both the degree of content density in the game environment as well as the content understanding of the player. The interaction between these two quantities is embedded in Message Design Continuums as illustrated below (Figure 2). 

 Figure 2




Following the assumption that within a serious game there is authentic content and objectives that are to lead to serious outcomes, the discipline of message design is appropriate, albeit a new path for game analysis, to employ. A brief summary of the implications of the interactions of these message design continuums, is to say that as the learner’s level of understanding of the content increases the requirement of the learning environment to provide highly affective (or fun) experiences lessens. Also as the content knowledge increases, the content form may move from more concrete examples to more abstract representations. This inverse relationship of affective forms and content density is completely supportive of the earlier statement that games can kill the fun by adding content.  This illustration would prompt a response that an inappropriate amount of content was the focus relative to the understanding of the content by the player/learner. It would also suggest that for beginning knowledge acquisition the use of games could be very appropriate, as the demand for content density is quite low. However, the vast amounts of available content in simulations make them very attractive for later course use where the player/learner is quite familiar with the content and needs an environment where manipulation of the variables are authentically fluid.

An Experiential Mode Framework

Serious game design involves the quantification of key operant categories of both the player experience and the game or simulation structures. The following  framework is offered as a starting point for the design of serious games, and may be extended to the design of any learning environment.

The Player Experience:

1.   Cognition – changes in cognitive and affective domains 

2.   Metacognition – all that the player is aware of including:  vision, audio, olfactory, kinesthetic, and haptic senses, plus an awareness of time, objects, & content 

4.   Choice – perception of:degree of control, and access to
variables and information during game play 

5.   Action – perception that they can do things such as: interact with objects and elements within the game, have control of objects, elements, and    own identity, have mobility to move through the environment, manipulate control interface to effect change.

Game Structure:

1.     Content – the story, the context, the amount of information available,
       the degree of concreteness or abstraction of the content, the authenticity, and its variability

2.     Environment – the virtual spaces and boundaries, the objects within these spaces and their functionality capabilities, plus any time limits imposed by the game

3.     Affordances – the abilities made for the player to change, manipulate, the
      objects, information, environment, their identity & capabilities, and/or to seek alternative   information

The decision paths to integrate the decisions made for the game structure that illicit or match a particular player experience should be iterative in development. This is because the content and context are so completely interwoven that there are numerous ways to embed the content and provide specific functionality to access or encounter content.  Beginning with game scenarios, paper prototypes, simulated game play, and constant revision, a viable strategy appropriate to the content and context may immerge. Learning goals must first be defined for each type of content or experience imagined, and a starting point for determining structure can be facilitated by using the Experiential Mode Triage framework below (Fig. 3)


Figure 3





For instance, using this framework, if the learning goal required that the learner understand the relationship of how he or she reacts to another person, then one would want the learner to have an experience that involves both cognitive decisions and affective attitudinal choices. One triage path suggested in the framework is that a demand would be placed on the structural components of content to be authentic representations of interactions with other players or avatars within the game, and also that there would be affordances for them to emote and adequately manipulate how they respond. Likewise if there is a continuum that needs to be constantly evident, such as how the other character in the game is perceiving the player, then the metacognition of the player regarding this information could be heightened by providing a UI that displays a meter of the other character’s attitude, thus increasing the data flow of the content within the game. In this manner the framework is not designed to generate solutions, but instead to trigger possible solutions that illicit the appropriate player/learner experience.



It is evident that the complexity of developing serious games can be massively complex depending upon the learning goals targeted for the game to meet.  What has not been discussed here has been the structuring of a framework around the use of a game or simulation that could produce a scaffold outside of the game/sim itself, thus potentially leaving efficient decision-making within the game being the primary focus.  In this context the use of pre-existing games for learning can be effective if the proper scaffolding is done before and after the experience with the gaming environment.  I would hesitate to call the actual game a serious game, but more to call the learning environment a blended one that included an entertaining exposure to some of the content and variables that related to the target objectives.


A definition of engagement as one that elicits a significant concentration by the player on the tasks of play and also the content variable targeted for learning would be acceptable to both the game developer and the instructional designer. As we begin to understand the variables of play and how the manipulations of these variables can be correlated with specific learning outcomes, we will be moving toward a realization of a true serious game. Hopefully both game developers and educators will recognize the need for a robust collaboration to meet such a goal.



Abt, C. C. (1970). Serious games. Canada: Macmillan Company.

Appelman, R., & Goldsworthy, R. (1999). The Juncture of Game & Instructional Design: Can Fun be Learning? . Paper presented at the Association for Educational Communications and Technology, Houston, TX.

Appelman, R., & Wilson, J. (2006). Games and Simulations for Training: From Group Activities to Virtual Reality. In J. Pershing (Ed.), Handbook of Human Performance Technology. San Francisco: Pfeiffer.

Crawford, C. (1984). The Art of Computer Game Design. Los Angeles: Osborne/McGraw-Hill.

Csikszentmihalyi, M., & Csikszentmihalyi, I. S. (1988). Optimal Experience: Psychological Studies of Flow in Consciousness Cambridge, UK: Cambridge University Press.

 Dale, E. (1946). Audio-visual methods in teaching. New York: Dryden Press.

Dewey, J. (1938). Experience and Education. New York: Touchstone: Simon & Schuster.

Greenblat, C., & Duke, R. (1975). Gaming Simulation: Rationale, Design, and Applications. A Text with Parallel Readings for Social Scientists, Educators, and Community Workers. In Teaching and Training (pp. 180-195). New York: SAGE Publications (John Wiley & Sons Halsted Press Division).

 Petranek, C. (1994). A Maturation in Experiential Learning: Principles of Simulation and Gaming. Simulation and Gaming, Silver Anniversary Issue(Part 2), 513-523.

Salen, K., & Zimmerman, E. (2004). Rules of Play. Harvard, MA: MIT Press.

Savery, J., & Duffy, T. (1995). Problem Based Learning: An instructional model and its constructivist framework. Educational Technology, 35, 31-38.

Thatcher, D. (1986). Promoting Learning Through Games and Simulations. Society for the Advancement of Games and Simulations in Education and Training, 262-273.

Thiagarajan, S. (1994). How I Designed a Game - And Discovered the Meaning of Life. Simulation and Gaming, Silver Anniversary Issue(Part 2), 529-537.






Last Updated ( Wednesday, 13 February 2008 )
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